Wednesday, May 27, 2009

Carpenè Malvolti: A New Wine and More

Carpenè Malvolti is one of the largest producers of Prosecco, and when I stop in a supermarket to pick up a bottle of light, young, zesty bubbly I often emerge with their basic Prosecco di Conegliano Extra Dry, which goes down nicely and is nicely priced. But they make many other wines as well, and have been introducing impressive new wines at the rate of one per year for a while now. Last year it was Viognier, and this year it's something called Cserszegi, which we'll get to presently. To begin, however:

Carpenè Malvolti Prosecco Brut 2008
Pale brassy yellow with hints of pink, and fine perlage. The bouquet us fresh, with tart apples and clean spice; the impression is direct and quite welcoming. On the palate it's fresh and full, with pleasant apple fruit supported by golden delicious acidity and sparkle that flows into a clean fresh finish. Good, in a simple key, and will drink nicely as an aperitif or with foods, especially cold cuts and other picnic fare.
2 stars

Carpenè Malvolti Extra Dry 2008
Pale brassy white with fine perlage. The bouquet is fairly rich, with apple fruit supported by some greenish accents and deft, sweetness. Appealing. On the palate it's ample, and rich, with fairly sweet apple fruit supported by peppery notes from acidity and sparkle, and clean slightly bitter apple accents that flow into a fairly tart finish. Pleasant in a quite approachable key, and will work well as an aperitif or at poolside. Expect it to go quickly.
2 stars

Carpenè Malvolti Prosecco Cuvée Oro Dry 2008
Pale brassy white with fine intense perlage. The bouquet is fairly rich, with delicious and Granny Smith apples mingled with tart crisp apple acidity and pleasing airy hints of sweetness. On the palate it's full, with failry rich delicious apple fruit supported by apple acidity and slight savory accents, while the finish gains depth from hints of apple bitterness. Quite nice, and will work well as an aperitif or far from the meal. Expect it to go quickly.
2 stars

Carpenè Malvolti Cserszegi 2008
This is a new wine: it's produced from Cserszegi, a Hungarian varietal developed in the late 1940s by Karoly Bakonyi , who crossbred Israi Oliver and Traminer Rosso with the goal of obtaining grapes well suited to the climate, that would ripen early, and have good sugar levels and aromatic potentials. The vineyards are on the banks of the Danube, and Carpenè is the first to produce a sparkling version, through the Charmat method. The wine is pale brassy yellow with fine persistent perlage, and has a fairly rich greenish nose mingled with some bitterness, cut flowers, and some savory spice. On the palate it's full and rich, with clean bright slightly sour minerality supported by sparkle and smooth warm citric acidity that flows into a clean apple laced finish with savory accents. Pleasant, and quite welcoming, with greater depth than the Prosecco. It will work quite well as an aperitif, and also be nice to drink at table, with fish or meat-based dishes.
2 stars

Carpenè Malvolti Kerner 2008
Pale brassy white with fine intense perlage. The bouquet is rich, and elegant, with floral accents and spice mingled with some vegetal notes and minerality. Considerable depth and very pleasant to sniff. On the palate it's it's full, with rich slightly bitter minerality supported by clean bright sparkle that confers creaminess, and by deft acidity that flows into a clean fairly rich slightly bitter finish. Very pleasant, and will drink beautifully as an aperitif.
90-91

Carpenè Malvolti Viognier 2008
Pale brassy yellow with intense perlage. Bright bouquet, with rich citric accents mingled with greenish notes and hints of savory heather. A lot going on in a slightly more muscular key than some of the others. On the palate it's bright, with deft minerality supported by clean fresh creaminess from sparkle, and by fairly deft acidity that flows into a clean bright finish. Quite pleasant, and will drink very well with foods or as an aperitif.
88-90

Carpenè Malvolti Rosè Brut
Pale salmon with lively pinkish perlage. The bouquet is fresh, with some berry fruit supported by acidity and savory accents. Delicate. On the palate it's full, with fairly rich mineral laced berry fruit supported by acidity and clean greenish bitterness that flows into the finish. Pleasant, and will work well as an aperitif though it has quite enough body to work well at the table too, with richer grilled fish, white meats, and also with flavorful cheeses. In short, versatile.
2 stars

Carpenè Malvolti Metodo Classico 2005
Lively brassy gold with brassy reflections and fine intense perlage. The bouquet is fairly intense, with deft acidity and bread crumbs mingled with some greenish vegetal accents and slight butterscotch. Nice balance. On the palate it's full, with fairly rich savory minerality supported by sparkle and slight greenish bitterness that flows into a clean peppery finish. Deft, and though I would have liked a little more acidity, it is pleasant, and will work well as an aperitif, or with fish, including crustaceans.
2 stars

Friday, May 22, 2009

Cà Lojera: Tasty Lugana and More (Reprise)

I met Cà Lojera's Ambra Tiraboschi, who looks rather like Maria Callas in the photo she puts up in her stand at Vinitaly, many years ago at Bordeaux's Vinexpo: It was the end of a very long day, my feet wished they belonged to someone else, and I had stopped to say hi to Paolo Abbona of Marchesi di Barolo. Sat down too, and found myself sipping a rather nice sparkling wine that turned out to be a Lugana from the southern shores of Lake Garda.

When I asked whose it was, Ambra raised her hand and smiled. Much has happened since then; they've redone their cellars and added a restaurant, which is open for dinner during the summer months, and Ambra's daughter Alessandra has had two delightful children. I make a point of stopping by her stand at Vinitaly every year, usually managing to catch her husband Franco too (he prefers to stay out of the limelight), and have noted with considerable pleasure that since I began liking their wines others have too. In fact, AIS, the Associazione Italiana Sommeliers, declared their wines the best of the Brescano area (Lake Garda's western shore) for 2009. And well they might:

Cà Lojera Lugana DOC 2007
Lot TF209
Last year's wine: Delicate brassy yellow with brilliant brassy reflections and white rim. The bouquet is fairly rich, with minerality and some white berry fruit laced with greenish accents and moderate acidity coupled with spice. Graceful. On the palate it's full and bright, with graceful warm yellow plum fruit supported by clean acidity and savory accents that flow into a clean bright gunflint laced finish. Quite pleasant and will drink very well with fish or vegetable based first course dishes (and also creamy risotti in general), fish, and white meats that aren't too fatty rich -- a chicken pot pie for example.
87-90

Cà Lojera Lugana DOC 2008
Lot TT0309
Pale brassy white with greenish reflections and white rim. The bouquet is fresh and very young, with moderate honeysuckle supported by spice and savory notes. Nice depth in its youth. On the palate it's rich and full with yellow plum fruit and acidity supported by hints of minerality that flow into a clean slightly bitter finish. Quite pleasant, though it's going to be much better in a year's time,and is worth waiting for. Beautiful wine.
88 now

Cà Lojera Lugana Superiore DOC 2004
Lot 504
Lively brassy gold with brassy reflections. The bouquet is fresh and deft, with clean mineral accents and spice mingled with gunflint and moderate acidity. Pleasant, and mature. On the palate it's full and quite rich, with deft yellow plum fruit supported by slightly greenish acidity that flows into a clean fresh mineral finish with greenish tannic accents that become quite savory. Quite nice though not a wine to drink far from the table; it will instead nicely complement rich fish dishes, e.g. grilled sea bass or even grilled salmon. Very nice, and has a great deal to say.
90

Cà Lojera Lugana Riserva del Lupo DOC 2004
Lot LR04
Deep brassy gold with greenish highlights and brassy reflections. The bouquet is rich, with greenish gunflint accents and barest hints of butterscotch and bitterness mingled with yellow peach, and savory notes. Quite a lot going on, and it opens very well. On the palate it's full, and rich, with powerful minerality supported by clean fresh tart berry fruit acidity that flows into a spicy finish with lasting warmth. Quite elegant and rich, with considerable depth; it will drink very well with grilled fish, or other rich flavorful foods, and also has the capacity to age nicely for several more years.
88-90

Cà Lojera Lugana Superiore DOC 2001
Lot 0703
Lively charged brassy gold with brassy reflections that have brilliant golden hues; it looks its age. The bouquet is fresh, impressively so considering the wine's age, with clean lemony fruit supported by some greenish accent and deft spice with hints of butterscotch. On the palate it's full, rich, and clean, with fresh lively white berry fruit supported by considerable savoriness and by sweet tannins that flow into a clean slightly greenish finish. Pleasant and has kept very well, furnishing further proof -- if any was needed -- of Lugana's ability to age.

Cà Lojera Garda DOC Chardonnay 2006
Forgot to note lot number
Brassy gold with brilliant greenish brassy reflections. The bouquet is bright, with tropical fruit laced with some hardwood ash and greenish spice, and supported by alcohol as well. On the palate it's full and rich in a rather seductive key with swank citric fruit supported by deft acidity that flows into a clean slightly overripe tropical fruit finish. Pleasant, and has considerable life, though it doesn't display the tight control of the Lugana.
2 stars

Cà Lojera Garda Chardonnay DOC 2001
Lot 15402
Brilliant lemony yellow with brassy reflections that pale to white at the rim. The bouquet is fairly rich, with clean fresh savory white fruit supported by minerality and spice, and some pungency as well. Quite pleasant. On the palate it's ample and rich, with tropical fruit -- honeydew melon and some pineapple -- supported by warm savory accents that flow into a clean bright rather citric finish. Impressive for an Italian wine this old, but then again I have come to expect this sort of performance from Ambra's wines.
2 stars

Cà Lojera Vino da Tavola Rosato
Lot not apparent.
Lively salmon with pink rim paling to white. The bouquet is fresh and bright, with fairly rich raspberry supported by bright greenish acidity. On the palate it's full (for a rosée), with lively righ red berry fruit supported by acidity and light smooth sweet tannins that flow into a clean fresh raspberry finish. Quite pleasant and approachable.
2 stars

For more information on Cà Lojera, check Ambra and Franco's Site

Saturday, May 09, 2009

Tasted at Vinitaly: Montenidoli

Elisabetta and Sergio - the passion and soul behind Montenidoli - and I are old friends; in addition to doing their website, I am a frequent guest at their home and was one of the lucky few invited to taste back through their older Vernaccia a couple of years ago. If I had ever harbored any doubts about Vernaccia's capacity to age, that tasting laid them to rest, and this year at Vinitaly Elisabetta decided to present a number of older vintages. Of other wines, and they were just as impressive.


The Wines

Canaiuolo Rosato di Toscana IGT 2008
Lively salmon with bright salmon reflections and rim paling to white. The bouquet is rich, with greenish raspberry fruit supported by underbrush and alcohol, with clean spice form grapes; nice balance and fair depth. On the palate it's rich, with powerful raspberry laced berry fruit that has some yellow plum accents, and is supported by lively acidity and clean light sweet tannins. Quite graceful, and will work very well as an aperitif, or with simple pasta dishes or risotti. Because of its rich fruit, it will also be nice with oriental dishes. Worth seeking out.
2 stars

Vinbrusco Bianco di Toscana IGT 2005
This is a blend of Malvasia and Trebbiano, and is brilliant brassy gold with brassy reflections and white rim. The bouquet is rich, with fairly intense rather bitter white fruit that includes pear, and is supported by greenish bitter notes, mingled with warmth and alcohol, there's a lot going on with many facets, and it's quite interesting to sniff. On the palate it's full, with rich white fruit supported by savory minerality and some greenish tannins that flow into a very long bitter white berry fruit finish. It shows considerable depth and complexity, and is one of those wines that will distract you from what you're drinking it with. In other words, demanding, and it will richly reward those who listen to the tale it tells.
90

Vinbrusco Bianco di Toscana IGT 2000
This is from a considerably hotter vintage; it's brilliant brassy gold with lively apricot-laced brassy highlights. The bouquet is powerful, with rich tart butterscotch laced with some citric acidity and warmth, with hints of mint and pear that provide depth. It's clearly from a hot vintage, but displays grace and elegance. On the palate it's full and languid, with rich white berry fruit supported by bright slightly greenish acidity that flows into a clean bracing finish in which acidity is joined by tannic hints. Very pleasant, displaying considerable depth and power in a hotter vintage key, and though it does suffer the heat of the vintage slightly, is a testament to what carefully grown Tuscan whites can achieve.
89

Carato Vernaccia di San Gimignano DOCG 2005
This is Elisabetta's barrel fermented Vernaccia, and it's brassy gold with white rim and brilliant brassy reflections. The bouquet is fairly rich, with clean bright bitter almonds and hints of gunflint mingled with greenish accents and slight savory butterscotch; it's quick to write, but displays considerable depth and elegance. On the palate it's full and languid, with clean bracing gunflint minerality laced with warm white berry fruit and some tannins that reveal oaky butterscotch accents and flow into a warm languorous finish that lasts and lasts. Most impressive, and one of the finest barrel-fermented Venaccias I know of. Even staunch traditionalists who prefer steel will find things to think about.
90-91

Il Templare Bianco di Toscana IGT 2003
This is a blend of all the white varietals in the older vineyards, and is brilliant brassy gold with brassy reflections and white rim. The bouquet is rich, with greenish accents and gunflint supported by bright acidity and clean bitter white pear and spice; it's quite graceful and a pleasure to sniff, offering many facets. On the palate it's full and bright, with ample fairly rich white berry fruit supported by savory notes and a fair amount of languid minerality that flow into a clean peppery finish. Pleasant, though the richness reveals the heat of the summer, which has also reduced the acidity some, making the wine a little bit softer than it is in cooler vintages.
2 stars

Il Tempare Bianco di Toscana IGT 1999
Brilliantgoldwith brassy reflections and white rim. The bouquet is rich, with greenish notes and vegetal accents mingled with bright acidity, and supported by minerality, gunflint, and some bitter white pear. Great depth and elegance. On the palate it's full and rich, with powerful gunflint laced white berry fruit with minerality and languorous fullness form glycerin that gains depth from savory acidity and flows into a clean savory finish. Quite nice, and superior to the 2003 because it has more acidity, which confers greater life and richness.
88-90

Vernaccia Tradizionale DOCG 2007
Lively brassy gold with brassy reflections and white rim. The bouquet is fairly rich, with white floral accents mingled with savory spice and some bitter almonds, and warm alcohol as well. Quite a bit going on, in a deft, fairly muscular key. On the palate it's full and rather languid, with clean charged white fruit supported by deft acidity and by some warm slightly greenish accents with tannic underpinning that flow into a peppery finish with lasting acidity. It's ample, and charged, like a well muscled teen who is pleasant but hasn't yet learned finesse, and will drink quite well with hearty soups, rich pasta dishes, along the lines of a dried porcini risotto, and will also work well with white meats. Expect it to age nicely for at least 3-5 years.
2 stars

Fiore Vernaccia di San Gimignano DOCG 2007
Lively greenish gold with brilliant brassy reflections. The bouquet is deft, with greenish accents and almond skins supported by alcoholic warmth and minerality; it's quite young, but already displays considerable depth. On the palate it's full, with rich, elegant white berry fruit supported by greenish accents and spice from grapes, and by clean rich white berry fruit acidity. Very nice, and though it is already quite drinkable, will reward those who can give it a few years before opening it. One of those wines one hates to pour out at a tasting.
91-2

Il Garrulo Chianti Colli Senesi DOCG 2006
Livelydusky cherry ruby with cherryrim. The bouquet is fairly rich, with warm berry fruit supported by brambly acidity and by warm spice, while there is also dusky underbrush and hints of stable straw. Pleasant, though not for lovers of smoother, softer fruit driven wines. On the palate it's medium bodied-full, with fairly rich cherry fruit supported by smooth sweet tannins that flow into a clean fresh rather bitter berry fruit finish. Pleasant in a frankly traditional key, and will drink nicely with a variety of foods, from hearty pasta dishes through stews and roasts. If you like the style you will like it very much.
2 stars

Montenidoli Chianti Colli Senesi DOCG 2006
Lively cherry ruby with cherry rim. The bouquet is bright, with fresh berry fruit supported by brambles, clean spice, with some graphite shaving bitterness, jammy warmth, India ink, and a fair amount o alcohol. Still quite young. On the palate it's full and rich, with deft red berry fruit supported by bright sour berry fruit acidity and by smooth sweet tannins that flow into a warm rather tannic finish. Pleasant, in a slightly rustic key, and you have to like the style -- lovers of studied Merlot won't be happy with it. If you are of more robust tastes, it will drink quite well with succulent red meats and light stews.
2 stars

Sono Montenidoli Rosso di Toscana IGT 2001
Deep pigeon blood ruby with black cherry rim. The bouquet is fairly rich, with cherry plum fruit supported by balsamic warmth and deft cedar-laced spice. Beautiful depth and a delight to sniff. On the palate it's full and rich, with powerful cherry fruit supported by sour berry fruit acidity and by warm sweet tannins that flow into a clean bitter tannic finish. It's quick to write about, but elegant and has a great deal to say; if you're of traditional tastes you'll like it very much, all the more because time has begun to apply its polish, and even if you're more inclined to the international style you'll find muchto think about. Even more as it opens in the glass. Expect it to age nicely for many more years.
90-91

Monday, May 04, 2009

Badia a Coltibuono: A vertical, or rather a selection of older vintages of Chianti Classico, and also a vertical of Sangioveto

From the latest issue of Cosa Bolle in Pentola:

Badia A Coltibuono
is one of the older estates in Chianti Classico, and was one of the first to bottle wines -- they still have a very few bottles from the 40s (the occupying Germans drank everything pre-1945), and also bottles from the 50s and 60s. A few years ago I was fortunate enough to be invited to a tasting at the Badia that began with the 1946 vintage, so when Emanuela Stucchi Prinetti told me she'd be pouring a number of older vintages this year at Vinitaly, I made plans to attend.

This time she was pouring the 1965, 1970, 1979 and 1995 Chianti Classico Riservas, and before we get to them some background is in order. Like most Tuscan estates, until well after WWII Badia a Coltibuono was farmed through mezzadria, a share cropping system in which the land of the estate was divided into farms, or poderi, each consisting of farm houses and the necessary other buildings (haybarns, stables and such), fields, and vineyards. The poderi were worked by one or more families, and were pretty much self sufficient, producing everything the residents needed to live. But not money, and therefore the mezzadri paid Emanuela's family in kind, with a share of the crops.

This share included wine: The residents of each podere harvested the vineyards they tended, and made the wine in the podere's cellar, under the supervision of someone from the Badia. With the fermentation complete, the Stucchi Prinetti family's share was transferred to the cellars of the Badia, where it went into huge, ancient (centuries old) chestnut casks. And there it stayed: though the family did bottle some Chianti Classico Riserva each year (they didn't begin to bottle Chianti D'Annata until the 1970s), when Maurizio Castelli joined the staff as Badia a Coltibuono's enologist in 1980, he found cask after chestnut cask full of old wine. Good old wine, because the cool dampness of the cellar was such that the wood was in perfect condition, but he had been hired to help modernize the Badia's winemaking, and one of the first orders of business was to replace the old chestnut barrels with oak, which yields wines that are much more approachable. So all of the old vintages were bottled in 1981, and a significant percentage of the bottles went into Badia a Coltibuono's vintage archive.

And now they offer a fascinating look into the past. Everything was different then. Though Sangiovese was the primary varietal, the old wines also contain the white grapes that no longer go into Chianti. Rather than await polyphenolic ripeness (which helps insure concentration), people harvested when sugar concentrations reached a certain level, or -- if they didn't have the tool for measuring grape sweetness -- when the grapes seemed sweet enough to yield about 12% alcohol. There was no destemming and therefore everything went into the fermentation tanks -- seeds, skins, stems (with their vibrantly green tannins) and all. There was no temperature control, and fermentation was empiric. And finally, the wine, which was quite acidic by modern standards, went into chestnut, which -- though the wood was old and therefore didn't contribute much -- yields tannins that have a different, more vegetal feel to them than do the sweet tannins released by oak.

In short, trying to compare the wines made then with those made more recently is rather like trying to compare a one of those beautiful single-cylinder tractors from the 1930s with a modern high-tech tractor with air conditioned cab and living room-worthy stereo system. Yes, they both have four wheels, but... Looking at them for what they are is instead fascinating.

As I said, you will find the latest vertical on Cosa Bolle in Pentola. Here, reprinted, is the last Badia a Coltibuono vertical I was fortunate enough to attend in 2002:

Badia a Coltibuono Chianti Classico 1946
This was bottled immediately because the Germans had drunk up everything when they occupied the Badia during the War. It's pale garnet with almandine brick overtones. The bouquet is still very much alive, with an initial rush of leathery balsam that brings an old leather book binding to mind mingled with sea salt and some iodine; swishing brings up dusky cherry fruit and more balsam, while the leather smoothes some, and with time the balsam gains in intensity and hints of spicy tobacco emerge, going hand in had with the balsam. Beautiful, in an elderly key that brings to mind faded lace. On the palate it shoes its age to a greater degree, with rather tart leafy overtones that mingle with sea salt and dust, with considerable very sour cherry tartness that resolves into warm hot steel and saddle leather with tobacco overtones. Interesting; it's not a wine to sip far from the table, and is clearly long on years, but still has a story to tell and will drink well with hearty flavorful stews, for example venison or wild boar. It has held better than many humans of like age. Lots of tannins, in part from the stems -- the fermentation was in the individual homesteads, in upright wooden tanks, with the stems.
2 stars

Note: The 46 was entirely from coltura promiscua (the traditional mixed farming system, with rows of grape vines mixed with other crops), because they were planning to plant vineyards but hadn't yet. The subsequent wines were from specialized vineyards, in other words vineyards planted entirely to vine, without other crops between the rows:

Badia a Coltibuono Chianti Classico Riserva 1959
Deep almandine ruby with Moroccan leather and almandine overtones. The bouquet is rather pungent, with spicy saddle leather that mingles with some iodine and sea salt, and underlying wet leaves; a swish brings up a certain amount of acidity and pleasant minty overtones, while leaf tobacco also emerges. Quite a bit going on. On the palate it's surprisingly graceful, with fairly tart cherry fruit supported by lemony acidity and warm smooth tannic overtones that are rather dusty and lead into a clean dusty tannic finish with bitter brambly graphite overtones. One can taste the tannins from the stems, which provide the bitterness, but the overall effect is graceful and there's still quite a bit of life to it. As with the 46 it's a wine that will drink better with foods than on its own, and indeed will be a nice counterpoint to a flavorful stew. In short, if you find a bottle that has been well kept, enjoy it.
2 stars

Badia a Coltibuono Chianti Classico Riserva 1962
Almandine ruby with black highlights and almandine rim. The bouquet is rather musty, with wet leaves and well soaked leather at first sniff, and also some balsam. Swishing brings up more of the same, with the leather increasing and taking on penetrating smoky spicy overtones, and also some leaf tobacco that gains support from some acidity. On the palate it is faded, with some sour notes but not much fruit, supported by some tannins that have a dusty feel to them and lead into a bitter finish with iodine overtones. Geriatric, but then again it 41 years old.

Badia a Coltibuono Chianti Classico Riserva 1966
Almandine with black highlights and almandine leather in the rim. The bouquet is clearly elderly, with pungent smoky spice that mingles with leaf tobacco and some acidity that rises up to tickle the nose. On the palate it's livelier than one might have expected from the nose, with some tart cherry fruit that gives way to balsam and sea salt wit underlying tobacco leaf bitterness, and it all flows into a clean tannic finish with strong bitter India ink overtones -- the stems of the grapes providing their contribution. It's interesting, and though it's not a wine for a casual wine drinker, it does have something to say and will drink well with a hearty stew.
1 star

Badia a Coltibuono Chianti Classico Riserva 1968
Deep orange almandine with black reflections and Moroccan leather rim. The bouquet is clearly well along in years, with spice and leaf tobacco that mingle some slightly greenish overtones. On the palate it's lighter than some of the others, with sea salt and balsam supported by tobaccoey tannins that lead into a clean bitter finish. Though there isn't as much fruit, it has a certain grace, and also a degree of charm; because it is lighter it will work well with grilled meats.
2 stars

An Observation: The wines of the late 50s through 60s wines are cut from the same cloth. The 46 is distinct; because of its longer bottle age and its having been produced through coltura promiscua.


Badia a Coltibuono Chianti Classico Riserva 1971
A historic vintage. Deep black almandine with black highlights and almandine rim; by comparison with the older wines it's livelier. The bouquet is clean, and delicate, with some lacy berry fruit that mingles with slight balsam and hints of spice and salty leaf tobacco that become stronger with more swishing. Deft, and a fair amount going on; it gives an impression of distance. On the palate it's full and quite rich, surprisingly so considering its age, with delicate slightly sour cherry fruit supported by clean dusty tannins that have warm bitter overtones and lead into a warm clean finish. Elegant, and though it's obviously not a young wine it still has quite a bit to say, and will work well with a steak or light stew. If you find a bottle, do enjoy it.
88

Badia a Coltibuono Chianti Classico Riserva 1976
A dreadful vintage, and since Ingegner Stucchi had the best cask set aside every year to bottle as riserva, theirs was the only Riserva made in all of Chianti Classico. The Consorzio had to special order the Galli for them. The wine is almandine with pale black highlights and Moroccan leather rim paling to white. The bouquet is tired, and this cones as no surprise considering the vintage, with musty slightly smoky penetrating leaf tobacco mingled with damp underbrush and underlying saltiness. On the palate it's thin, with hints of cherry fruit supported by bitter rather evanescent tannins that flow into a clean bitter finish with slight sour cherry fruit overtones and alcoholic notes that rise up into the back of the throat. It has, to put it simply, faded, though the way it has faded shows that there was something there to begin with.


Badia a Coltibuono Chianti Classico Riserva 1977
Almandine with pale ruby notes and black highlights, Moroccan leather rim. The bouquet is unusual, with a rush of menthol at first sniff that brings Vicks Vaporub to mind underlain by balsam and sea salt; swishing brings forth more mint and some leaf tobacco, but the mint remains paramount. On the palate it's full, and surprisingly smooth, with delicate cherry fruit that has slight tart raspberry overtones and is supported by smooth sweet tannins that have slight minty overtones and lead into a clean warm cherry laced finish with (again) balsam and mint. All this talk of mint may seem off-putting, but the wine manages considerable grace, albeit in an elderly, lacy key, and will drink nicely with succulent white meats.
2 stars

Badia a Coltibuono Chianti Classico Riserva 1980
Deep black almandine ruby with black highlights and Moroccan leather rim. The bouquet is a bit off, with old wet leather that has been soaking for a long time mingled with sea salt and some cedar, hints of acidity, and slightly sour leaf tobacco. No fruit to speak of, and not much depth. On the palate it's mouthfilling, though oddly flat; there's a presence that expands off the tongue to press against the cheeks, but there isn't much in the way of fruit to it, and it's all supported by clean balsam laced bitter tannins that lead into a warm, balsamic finish. It feels like the soul is missing, in a way. Maurizio says the grapes didn't ripen.
1 star

Note: From here on, the wines are Sangiovese in purezza

Badia a Coltibuono Chianti Classico Riserva 1982
Deep black almandine ruby with black highlights, some ruby highlights, and almandine rim with Moroccan leather overtones. The bouquet is unexpected, with hot steel and hints of balsam that mingle with wood smoke; with time some cherry fruit emerges too. On the palate it feels stripped bare, much like the 1980, though in this case there's a little more cherry fruit, supported by tannins that have faded into thinness, though they feel as if they once had a burr, and flow into a balsamic finish with cherry overtones. It's gives an impression of thinness, though this is an effect of age -- it obviously had considerable grace to start out with, and has evolved into laciness with time. Graceful, but requires thought.
2 stars

Badia a Coltibuono Chianti Classico Riserva 1985
Deep black almandine ruby with almandine ruby that has some orange overtones in the rim. The bouquet is clean, with cut leaf tobacco and bitter underbrush; not much fruit on the nose, though there is some underlying cherry that provides depth and direction. Also considerable graphite shavings. With time the fruit opens and becomes stronger. On the palate it's full and quite smooth, with powerful dusty cherry fruit supported by smooth sweet tannins that flow into a clean sweet cherry laced finish with lots of dust and some bitter cedary notes. Pleasing, and fully mature; because of the bitter dustiness it won't do well as a sipping wine, but it will instead work quite well with hearty stews or succulent grilled meats, especially steaks. Quite nice and worth seeking out.
88-90

Badia a Coltibuono Chianti Classico Riserva 1986
1985 and 1988 were both great vintages, and the 86, which is sandwiched between them, has always gotten short shrift that is perhaps undeserved. Black almandine with almandine rim. The bouquet is delicate, with leaf tobacco and balsamic notes supported by underlying bitterness and sea salt, with hints of sour cherry fruit that provide direction. Also peppery spice, slight mint and pencil shavings. On the palate it's full, and quite smooth, with delicate slightly tart cherry and forest berry fruit supported by velvety tannins that still display a slight burr, and flow into a clean cherry laced dusty finish. It is better that its reputation, though it doesn't have the power of the 85-88 set, and will work nicely with red meats or stews. Has lived its life and is coming down.
2 stars

Badia a Coltibuono Chianti Classico Riserva 1988
Deep black almandine ruby with black reflections and almandine rim; gives an impression of vibrancy. The bouquet at first sniff is more delicate than one might have expected, with slightly sour cherry fruit supported by balsam and hints of bitter sea salt with underlying leaf tobacco; more swishing brings forth stronger tobaccoey spice that takes on a reddish cast from the underlying berry fruit, and gains life from some acidity. On the palate it's full and warm, with pleasing sour cherry fruit supported by smooth warm tannins that lead into a warm clean tannic finish with sour cherry overtones; though it doesn't flow over the tongue exuberantly, and indeed shows a degree of restraint, it is graceful, and will work quite nicely with foods, for example a platter of mixed grilled meats. You may wish you had a second bottle.
88

Badia a Coltibuono Chianti Classico Riserva 1990
Deep black almandine ruby with hints of Moroccan leather in the rim. By comparison with the 88 it's slightly more shifted towards brick. The bouquet is clean, with delicate spice and sour cherry that mingle with some mint, warmth, and slight brandied cherries; it's quite nice and there's a lot to plumb. On the palate it's full, though not huge, and to be frank is more about finesse than opulence, with delicate balsam-laced slightly bitter cherry fruit that has leaf tobacco overtones and is supported by clean dusty tannins that lead into a long warm balsamic finish with considerable warmth and some fruit that gain definition from bitter pencil shavings. By comparison with the 88 it displays more finesse, though a little less power.
91

Badia a Coltibuono Chianti Classico Riserva 1993
Deep cherry ruby with almandine in the rim. The bouquet is unusual, with peat smoke and cherry fruit that mingle with peppery spice; with more swishing the fruit comes to the fore. On the palate it's medium bodied, with a thin feeling to it that is the vintage at work, and pleasing cherry fruit that is supported by smooth sweet tannins. To be frank it's not a great wine -- a month of rains beginning just before the harvest preclude greatness -- but it does display considerable grace and will drink quite well with succulent red meats. In short, how to draw a success from an adverse situation.
2 stars

This takes care of Chianti Classico. This year at Vintialy Emanuela had another vertical as well, of Sangioveto, a barrique aged 100% Sangiovese they introduced in 1980, calling it Sangioveto to increase worldwide awareness of the Sangiovese grape, which was then relatively unknown.

At the time Chianti Classico required the addition of white grapes, so they labeled it as a Vino da Tavola, or table wine (where it joined the ranks of other now classic Tuscan wines including Tignanello and Le Pergole Torte).

With the changes that have taken place in the regulations governing Chianti production, Sangioveto could now qualify as Chianti Classico, if it weren't for the name -- the regulations prohibit the use of grape names. So Sangioveto has gone from being a Vino Da Tavola to being an IGT Toscana.

The wines:

Badia A Coltibuono Sangioveto di Toscana VDT 1994
Deep black almandine with almandine rim. Deft bouquet, with warmth, some tart leather, acidity, and hints of woodsmoke mingled with savory accents, and, as it opens, sour berry fruit and some dried flowers. Nice depth. On the palate it's full and rich, with clean berry fruit supported by smooth sweet tannins and a fair amount of warmth that flow into a clean fresh berry fruit finish. Pleasant, rich, and rather seductive; by comparison with the Chianti Classico it's curvier -- a more international style -- and in this context is a fine interpretation of Sangiovese, with much to say to those who will listen.
88-90

Badia A Coltibuono Sangioveto di Toscana IGT 1995
Deep brick ruby with brownish reflections and almandine rim. Looks older than the 94. The bouquet is fairly rich, with warm spice and some green leather , underbrush, savory accents, and some dried flowers, with underlying sea salt and smoke. On the palate it's full, with fairly rich cherry fruit supported by smooth sweet tannins and warmth that flow into a clean fairly tart berry fruit finish. Deft and much alive; by comparison with the 95 Riserva it's rounder and smoother, with less acidity and not as bright on the finish. Pleasant, but I found myself preferring the Riserva -- a question of personal taste.
2 stars

Badia A Coltibuono Sangioveto di Toscana IGT 1997
Deep black almandine with black reflections and almandine rim. The bouquet is powerful, with berry fruit and spice mingled with green leather, alcohol, tar, and warmth; there's a vibrancy to it, and it has quite a bit to say. On the palate it's full, with powerful berry fruit supported by smooth rich sweet tannins and moderate acidity that is sufficient to provide direction and depth, though it's not as bright as what one finds in the Riserva; it's also elegant in a rounder key, though not as tight as the wines that are aged in larger wood. It has in any case aged beautifully, and displaying great depth. From my personal standpoint it's not as light on its toes as a traditional wine aged in large as opposed to small wood would be, and this has more to do with the style of the wine than its quality, which is impressive.
90-91

Badia A Coltibuono Sangioveto di Toscana IGT 1999
Deep almandine ruby with black reflections and almandine rim. The bouquet is bright, with berry fruit supported by some cedar and tart underlying acidity; it's more graceful and less charged than the 97. On the palate it's full, with bright berry fruit supported by fairly rich raspberry acidity and by cedar-laced tannins that flow into a clean tart fairly dry cedar finish. It seems to represent a change of pace with respect to the older wines; it's brasher and a bit simpler.
2 stars

Note: Maurizio Castelli has returned as enologist for this one:

Badia A Coltibuono Sangioveto di Toscana IGT 2004
Almandine with black reflections; Maurizio has begun to experiment with long maceration times. The bouquet is fairly rich, with red berry fruit supported by spice and warmth, and by a fair amount of alcohol as well. On the palate it's full and rich, with deft cherry fruit supported by moderate acidity and by smooth sweet vanilla laced tannins that flow into a clean bright berry fruit finish with lasting warmth. Pleasant, and will drink well with rich meats; it displays considerable depth but is clearly still climbing.
88-90

With respect to the Chianti Classico Riserva, the Sangioveto is smoother, softer, and a bit more seductive, and this is an effect of its being aged in barriques as opposed to large oak casks. If you are more traditionally minded you will find the Chianti Classico Riserva more to your tastes, whereas if you are more modern, you will likely prefer the Sangioveto.